While still trying to recuperate from a case of viral bronchitis, I did manage to do some more work this evening on the side-view Starfleet human form factor illustrations.

While still trying to recuperate from a case of viral bronchitis, I did manage to do some more work this evening on the side-view Starfleet human form factor illustrations.
I finally finished the new illustration of my side-view articulated Starfleet “Vitruvian Man” I blogged about the other day. This will allow me to pose him in positions ranging from climbing steps, to being seated in the officer lounge, to flying a workbee.
Started back in on some digital illustration work I had begun as part of working on both the Enterprise cross-section studies and for the workbee schematics, before the opportunity to interview Richard Taylor came up. And that was working up new and improved human figures to use to establish ergonomic and scale/clearances in future schematics and illustrations.
This is the final installment of a six part interview with Richard Taylor, the lead designer at Robert Abel & Associates, who were the original special effects team hired to produce the designs of the miniatures and special effects for Star Trek: The Motion Picture.
This is the fifth installment of a six-part interview with Richard Taylor, the lead designer at Robert Abel & Associates, who were the original special effects team hired to produce the designs of the miniatures and special effects for Star Trek: The Motion Picture.
This is the fourth installment of a multipart interview with Richard Taylor, the lead designer at Robert Abel & Associates, who were the original special effects team hired to produce the designs of the miniatures and special effects for Star Trek: The Motion Picture.
This is the third installment of a multipart interview with Richard Taylor, the lead designer at Robert Abel & Associates, who were the original special effects team hired to produce the designs of the miniatures and special effects for Star Trek: The Motion Picture.